10.29.2011
running around like a chicken with it's...
hectic could easily describe my week. between last minute costume sewing (and not just mine. thanks brother dear!), starting a new job, fighting an eye infection, and getting the four-legged children used to a new schedule, i find myself without the usual amount of spare time. but, next week will be better, with fantastic photos, and sparkling narrative.
10.21.2011
feats of gene selection
the fiber compendium; for the pursuit of education and knowledge (f.c.p.e.k.) is coming along nicely. there are some gaps, but with more time and searching i can hopefully fill them. i'm really glad i decided to collect samples of so many fibers.
it's really remarkable how many types of silk there are, the different ways it's spun, and how all parts are used (waste, stem, pupae). there's definitely a "waste not, want not" mindset when it comes to this fiber. it reminds me of the way some of the native americans viewed animals; that by not throwing away any part of it, the death was not meaningless and the animals' sacrifice was respected. the life of the silkworm isn't wasted by it's death; oftentimes they are a food source, and the fact that the entire amount of silk it spun is used in some form or other is a great testament to how the people doing sericulture view and respect the silkmoth. peduncle thread, spun from the stems of the tropical tasar cocoon, along with ghicha, spun from the waste silk of muga and eri cocoons, were some of the more interesting spun silks i came across.
one of the things i had thought before starting this project was that there weren't too many cellulose fibers used for spinning and weaving cloth; only ramie, hemp, linen, cotton, and washi. but, i have more cellulose samples than animal fibers; baste fibers can be found in many plants, and the resourcefulness of humans is really inspiring! people have gone to great lengths to create cloth, from the attusi (elm tree inner bark) clothing of the ainu people of northern japan, to nettle fiber which has been used throughout europe for centuries.
with the animal fiber i've collected i found the different hair types within one animals' coat to be interesting; coarse to downy soft, strongly pigmented to lighter pigmentation, with a variety of uses for each type. browns, fawns, and creamy whites are the dominant colors in protein fibers. the brown hues lend the animal warmth from the sun in cold environs, and hiding ability amongst grasses and trees, whereas the white coloring, which is perfect for dyeing, seems to be a trait humans breed for (as albinism in the wild isn't really a common or safe trait).
the unique characteristics of the many natural fibers lend themselves to a myriad of uses, and i question why humans need to invent synthetics, when what is already there is so functional. with some better husbandry, more effective natural resource use, and respect for the organism which creates the fiber, many of these natural fibers can be just as viable as synthetics. some synthetic fiber inventions such as neoprene, are impressive, and needed, but to create a synthetic which does the same as a natural fiber just seems wasteful (and, like any copy, is never as good as the real thing, imho).
interesting reads:
an article about silk varieties, and degumming
the book, fibre facts, by bette hochberg
ebook, dictionary of textiles, by louis harmuth
"peace" silk, or the mythical perfection postulation
it's really remarkable how many types of silk there are, the different ways it's spun, and how all parts are used (waste, stem, pupae). there's definitely a "waste not, want not" mindset when it comes to this fiber. it reminds me of the way some of the native americans viewed animals; that by not throwing away any part of it, the death was not meaningless and the animals' sacrifice was respected. the life of the silkworm isn't wasted by it's death; oftentimes they are a food source, and the fact that the entire amount of silk it spun is used in some form or other is a great testament to how the people doing sericulture view and respect the silkmoth. peduncle thread, spun from the stems of the tropical tasar cocoon, along with ghicha, spun from the waste silk of muga and eri cocoons, were some of the more interesting spun silks i came across.
one of the things i had thought before starting this project was that there weren't too many cellulose fibers used for spinning and weaving cloth; only ramie, hemp, linen, cotton, and washi. but, i have more cellulose samples than animal fibers; baste fibers can be found in many plants, and the resourcefulness of humans is really inspiring! people have gone to great lengths to create cloth, from the attusi (elm tree inner bark) clothing of the ainu people of northern japan, to nettle fiber which has been used throughout europe for centuries.
with the animal fiber i've collected i found the different hair types within one animals' coat to be interesting; coarse to downy soft, strongly pigmented to lighter pigmentation, with a variety of uses for each type. browns, fawns, and creamy whites are the dominant colors in protein fibers. the brown hues lend the animal warmth from the sun in cold environs, and hiding ability amongst grasses and trees, whereas the white coloring, which is perfect for dyeing, seems to be a trait humans breed for (as albinism in the wild isn't really a common or safe trait).
the unique characteristics of the many natural fibers lend themselves to a myriad of uses, and i question why humans need to invent synthetics, when what is already there is so functional. with some better husbandry, more effective natural resource use, and respect for the organism which creates the fiber, many of these natural fibers can be just as viable as synthetics. some synthetic fiber inventions such as neoprene, are impressive, and needed, but to create a synthetic which does the same as a natural fiber just seems wasteful (and, like any copy, is never as good as the real thing, imho).
interesting reads:
an article about silk varieties, and degumming
the book, fibre facts, by bette hochberg
ebook, dictionary of textiles, by louis harmuth
"peace" silk, or the mythical perfection postulation
Labels:
alpaca,
baste fiber,
bison,
camel,
cellulose,
collection,
curricula silk,
fiber,
knowledge,
learning,
milkweed,
muga silk,
natural world,
organizing,
protein,
ramblings,
silk,
spinning,
vicuna
10.20.2011
fall's sudden snow
fields of milk weed,
half open, puffy faced,
seeds floating in the wind
as if mimicking the coming snow.
a fond memory from my childhood. in my search for fibers which are spinable, i remember the down-like fluff of the milkweed. sadly, they don't seem to grow as far south as me. though, happily, velma sent me a pod along with stem. both can be used, the pod fiber blended with other fibers for a spattering of shimmer, and the baste fiber of the stem can be spun similar to ramie, linen, and hemp. i am enjoying the search for fibers, and learning so much along the way.
10.19.2011
little hiccups
10.15.2011
another year bites the dust
i love birthdays; especially when it's my own. i think the major allure of celebrating birthdays is the dessert, and presents. mmm, cake. i'm good with cupcakes as well, or ice cream cake, or many other desserts for that matter.
last year i was in kyoto, japan, for my birthday. i miss japan. so, for my birthday this year i received various green teas (ocha) from ippodo. i actually ordered a tea from each category, rather without realizing it. from gyokuro, the karigane (stems) ocha, from sencha, hosen ocha (a very good one i've had before), from matcha, an autumnal tsukikage ocha, and in the bancha, wakayanagi ocha (typically, i drink genmaicha, but i decided to try this instead). i've tried other companies ocha, but i've found ippodo to be the highest quality, reasonably priced, and as i've visited uji (where much of the matcha is grown), i enjoy drinking tea from that region.
10.14.2011
pinks are lovely
i've been working on a set of headers, link buttons, and icons for the big switch. it's amazing what can be done with photos and preview. i really like the pink and natural tones. the odd guy out is the purple hued flickr profile picture (not in the photo montage), but that's fine. i like the odd duck or two.
10.13.2011
changes
this would be the new blog. quite similar to the old, actually. perhaps a softer, earthier color palette; inspiration arising from my spinning. my dollhouse feels like the palette from birds in chandeliers. i love that palette.
off to do some research.
ah, what joy.
off to do some research.
ah, what joy.
snafu
i'm thinking of changing something. i've begun to feel that i should move away from the title "birds in chandeliers", to a more definite title "*anastasia.handmade". it describes what i do better, and that it is myself which does these things. the "birds in chandeliers" is somewhat vague.
i want to change my etsy store name, but then i started thinking i should change my blog name as well. so, what do you, my readers (thank you for that, by the way), think of this move? any advice for staging a technical switch gracefully?
i was warned of this, of course; several years ago when i first started selling what i made. i was told to choose a name which represents me and my creations. own them, as it were. but, i wanted something fun, non-descriptive, non-confining.
the snafu to changing things is that the title is the address. what about bookmarks, past business cards, links, comments left to others? blah, a headache.
this has all been brought on because etsy is giving you the option of changing your store name, and if you choose to do so, they will change all the links within etsy and hearts to the new address.
i want to change my etsy store name, but then i started thinking i should change my blog name as well. so, what do you, my readers (thank you for that, by the way), think of this move? any advice for staging a technical switch gracefully?
10.11.2011
not too shabby
i ventured over to the georgia national fair yesterday. the exhibition of art pieces was really nice! it was fun hunting down all 23 of my pieces, taking photos as i came across them. the tally is: 4 first place, 6 second place, 3 third place, and 2 honorable mentions. not too bad at all for my first competition!
next year i want to go after one of the giant rosette ribbons, so i have to start planning. as well, i would like to enter some things in the fine art competition. here's to a successful 2012!
10.07.2011
just what was needed
the day was coming to an end, the skies loosing the light of the sun, so the photos are not as crisp as i like. i will take new ones tomorrow.
an army of miniature servants would be nice
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