Showing posts with label camel. Show all posts
Showing posts with label camel. Show all posts

2.14.2013

happy valentine's day

i did a little bit of nail bling for today; nothing too big. it's 24kt gold flecks and a pink heart. i noticed that the 24kt thing was popular in the nail circuit, and remembered i had some flakes left over in a jar from when i was in college and focusing on illuminated manuscripts.


i've got a couple of things i'm messing around with right now, one being spinning on my tulipwood jay spindle. it's bombyx silk and camel. it drafts smoothly and spins with a subtle tawny stripe. the other thing is i traded my violin for a ukulele; just waiting on some better strings, then i'll start to learn how to play it.


for dinner tonight i made vegetarian pot pie filled with asparagus, mushrooms, peas, onion, carrots, and beans, topped with filo dough, and served with rose wine. for dessert i baked white chocolate and cherry scones with strawberry rose champagne tea. the theme was hearts and pink. i used things i found around the house that fit into those subjects. it's really enjoyable setting the table for a special event, i should do it more often.

10.21.2011

feats of gene selection

the fiber compendium; for the pursuit of education and knowledge (f.c.p.e.k.) is coming along nicely. there are some gaps, but with more time and searching i can hopefully fill them. i'm really glad i decided to collect samples of so many fibers.


it's really remarkable how many types of silk there are, the different ways it's spun, and how all parts are used (waste, stem, pupae). there's definitely a "waste not, want not" mindset when it comes to this fiber. it reminds me of the way some of the native americans viewed animals; that by not throwing away any part of it, the death was not meaningless and the animals' sacrifice was respected. the life of the silkworm isn't wasted by it's death; oftentimes they are a food source, and the fact that the entire amount of silk it spun is used in some form or other is a great testament to how the people doing sericulture view and respect the silkmoth. peduncle thread, spun from the stems of the tropical tasar cocoon, along with ghicha, spun from the waste silk of muga and eri cocoons, were some of the more interesting spun silks i came across.


one of the things i had thought before starting this project was that there weren't too many cellulose fibers used for spinning and weaving cloth; only ramie, hemp, linen, cotton, and washi. but, i have more cellulose samples than animal fibers; baste fibers can be found in many plants, and the resourcefulness of humans is really inspiring! people have gone to great lengths to create cloth, from the attusi (elm tree inner bark) clothing of the ainu people of northern japan, to nettle fiber which has been used throughout europe for centuries.

with the animal fiber i've collected i found the different hair types within one animals' coat to be interesting; coarse to downy soft, strongly pigmented to lighter pigmentation, with a variety of uses for each type. browns, fawns, and creamy whites are the dominant colors in protein fibers. the brown hues lend the animal warmth from the sun in cold environs, and hiding ability amongst grasses and trees, whereas the white coloring, which is perfect for dyeing, seems to be a trait humans breed for (as albinism in the wild isn't really a common or safe trait).


the unique characteristics of the many natural fibers lend themselves to a myriad of uses, and i question why humans need to invent synthetics, when what is already there is so functional. with some better husbandry, more effective natural resource use, and respect for the organism which creates the fiber, many of these natural fibers can be just as viable as synthetics. some synthetic fiber inventions such as neoprene, are impressive, and needed, but to create a synthetic which does the same as a natural fiber just seems wasteful (and, like any copy, is never as good as the real thing, imho).

interesting reads:
an article about silk varieties, and degumming
the book, fibre facts, by bette hochberg
ebook, dictionary of textiles, by louis harmuth
"peace" silk, or the mythical perfection postulation

8.06.2010

i'm seeing plaid

one of the projects in weaving i completed, (if fulling is the last step in a woven piece, then i completed it yesterday) a german bird's eye twill. this was an interesting piece which i titledworldly camel, as it contains camel down yarn, handspun bamboo, cotton, and baby alpaca.

the warp was an experiment in using different colors and creating stripes. with the weft, i repeated the spacing of each warp color to create an asymmetrical plaid. i wanted to get as much out of the warp as possible, so the overall length of the piece is longer than planned; but that's okay as it makes a wonderfully soft wrap.

i like the strong blue lines, it makes the neutral cream and brown really pop. i had fun weaving this piece; even with the couple of weaving errors i can spot. herringbone, or as it is known in weaving lingo, twill, is one of my favorite patterns. overall, none too shabby for my first wool piece and my fifth weaving piece. i have three towels which were projects from an issue of handwoven still on a friends loom, and two beginner pieces finished, one a rag rug table runner, and the other a scarf, which i gifted to my mother.