



 i've never really regretted getting the tattoo i have, until i stumbled upon the work of amanda wachob. her work is beyond anything i ever thought anyone could do; if i had even a glimpse of the possibilities or known anyone was even experimenting with a new way to do an old artform i would have waited.
i've never really regretted getting the tattoo i have, until i stumbled upon the work of amanda wachob. her work is beyond anything i ever thought anyone could do; if i had even a glimpse of the possibilities or known anyone was even experimenting with a new way to do an old artform i would have waited. i'm one of those weird people who like single things; one piercing, one tattoo, toes or hands painted but not both. i don't know, it's kind of like a balance thing; more than one and i feel unstable. weird, but there you have it.
i'm one of those weird people who like single things; one piercing, one tattoo, toes or hands painted but not both. i don't know, it's kind of like a balance thing; more than one and i feel unstable. weird, but there you have it.i like tattoos, i think it's really enchanting how you can paint the body and it becomes part of you forever. it's like spice; okay without, but with, wow talk about fireworks!

a couple of years ago i got a tattoo of a dumpling-like kingyo. i really didn't want any black in it at all, but the tattoo artist wouldn't change their mind and so the black ink went in. eeh, too late now. but it kind of stings to see what could have been.

i finally saved enough and was able to order my very first computer; a laptop, and not just any laptop but a pretty white one with an apple on the front. i'm beyond excited! i've been playing around with it all day and it's definitely different from what i'm used to (a pc). i can hardly believe it's all mine, mine i say! no more sharing with at least two other people, no longer shall the desktop background be a photo of something we can all agree on, no more disorganized chaos in digital form, no more giant dark and brooding desktop. hip hip hooray!

the only thing between me and utter happiness is that i don't have photoshop for mac, so i just have to keep using the family pc to edit images as i save up for adobe photoshop cs4 (which probably cost as much as the computer). what a lovely new year's resolution! i resolve to always ask myself which is more important; getting photoshop or eating out, that new shirt, those yummy looking baking thingies, that too cute pen, etc., etc., etc.? and if i'm really good at this self delusion thing i'll loose some weight as the food and gas budget get smaller.
i wish you all have a merry, zany, and not too awkward holiday!
 feathers are fascinating; the incredible things they can do by providing flight, maintaining warmth, making a mating ritual extravagant. upon closer inspection they are equally glorious, the color only seen at a distance is broken up into an array of multiple hues, with mica like shimmer.
feathers are fascinating; the incredible things they can do by providing flight, maintaining warmth, making a mating ritual extravagant. upon closer inspection they are equally glorious, the color only seen at a distance is broken up into an array of multiple hues, with mica like shimmer. when viewing historical garb and movies of glamorous eras i'm always drawn to the fantastic headgear comprised of luxurious feathers; ostrich, pheasant, peacock, exotic birds from the tropics and the rainforests. watching documentaries on the television about birds and wild things from our beautiful planet, at the ways they've suffered by our hands because of the finery they are made of, creates within me guilt over this feather fascination. should i continue to use them in my work, even if they are found objects and not bought? what message does it send? i guess these questions could be asked of any animal derived material, be it fur, leather, pigment, scale or feather.
when viewing historical garb and movies of glamorous eras i'm always drawn to the fantastic headgear comprised of luxurious feathers; ostrich, pheasant, peacock, exotic birds from the tropics and the rainforests. watching documentaries on the television about birds and wild things from our beautiful planet, at the ways they've suffered by our hands because of the finery they are made of, creates within me guilt over this feather fascination. should i continue to use them in my work, even if they are found objects and not bought? what message does it send? i guess these questions could be asked of any animal derived material, be it fur, leather, pigment, scale or feather.
 needless to say it's quite different from her first visit; no longer can you park right along it and get out to take photos, nor are people dressed up in their best for the occasion, you can't walk out onto the small promontories either. but a lot of things are the same; the beautiful mosaics covering the floors, the soaring statues and art deco architectural details, and the expansive view of water that should be let free to carve out stone, give life to fish and animals, clean the byways of canyons, and flow unheeded to mexico.
needless to say it's quite different from her first visit; no longer can you park right along it and get out to take photos, nor are people dressed up in their best for the occasion, you can't walk out onto the small promontories either. but a lot of things are the same; the beautiful mosaics covering the floors, the soaring statues and art deco architectural details, and the expansive view of water that should be let free to carve out stone, give life to fish and animals, clean the byways of canyons, and flow unheeded to mexico. 
 and lived to create another day! i finished up my ode to inspiration cushion. it's very delightful, with the bright blues and cheery oranges. every time i work with natural linen i am amazed at the variety in hue that is available; from lightest tans to deep wheaten browns. the tiny bit of firmness linen gives to the shape of the cushions is very nice, not too stiff and not too slouchy.
and lived to create another day! i finished up my ode to inspiration cushion. it's very delightful, with the bright blues and cheery oranges. every time i work with natural linen i am amazed at the variety in hue that is available; from lightest tans to deep wheaten browns. the tiny bit of firmness linen gives to the shape of the cushions is very nice, not too stiff and not too slouchy. 
 sometimes just when you're leaving a room and something catches your eye; either a pattern, or a color combination that just didn't show itself to you before this point. i'm at work on a pillow that hopefully will be finished tomorrow. if the house doesn't blow away. storms with tornado warnings really scare me.
sometimes just when you're leaving a room and something catches your eye; either a pattern, or a color combination that just didn't show itself to you before this point. i'm at work on a pillow that hopefully will be finished tomorrow. if the house doesn't blow away. storms with tornado warnings really scare me.