there is a honey for every tea. i love raw honey, being immensely inspired from reading chalice, and i've loved loose leaf tea since shortly after graduating college. they go good together, like spice and chocolate, butter and baked goods, cheese and fruit (all of which tastes divine with honey). i have savannah to thank for introducing me to these two great things; the tea room on broughton street, and the savannah bee company.
summer solstice + sourwood honey
pomegranate pai mu tan + winter white honey
mirabelle + acacia honey
brin's cup + star thistle honey
golden buddha + sourwood honey
emperor's bride + tupelo honey
french verveine + star thistle honey
green rooibos with lavender + acacia honey
i mostly go for fruity and light, spicy and deep, aromatic and thirst quenching. but, mostly fruity. yum. the flavors of the honey add layers and undertones to the tea. i find it's good to match hues of tea and honey together; light hued tea + light golden honey, amber hued tea + deeper hued honey. this way the subtle flavors of one don't overwhelm the other. but, that doesn't mean you can't experiment, sometimes you get a feeling for which could be good pairings after awhile.
#1 rule, raw honey beats sugar any day, on anything
#2 rule of honey aficionados, never have less than two types of raw honey at hand. never. with all the small sizes it comes in, plus the fact that honey has a shelf life of infinity, shouldn't be a problem.
5.17.2012
gouache is definitely not gauche
way back in '00 i took a course about color; as part of the itinerary we had to compile a book from our notes and hand paint samples. scale forward to yesterday, while browsing my bookshelf i happened to open it, found i hadn't quite finished it, and decided to haul out the gouache paints.
there's something very fun about the flat hues gouache gives you; about how it goes down dark and as it dries the intensity lightens. the really neat thing is that it behaves like watercolor, but the opacity can be layered like acrylics. i hadn't painted with them for years, something about an instructor telling me that i needed to stay away from them unless i could learn to relax a bit in my painting style. sad to say, but i put them away after that.
as i already had my gouache paint out, i decided to paint the label of a paper bag. it was just a red stamp, kind of calling out to be painted, really. like the outlines in a coloring book. i think i shall paint more things with my brush and my gouache.
there's something very fun about the flat hues gouache gives you; about how it goes down dark and as it dries the intensity lightens. the really neat thing is that it behaves like watercolor, but the opacity can be layered like acrylics. i hadn't painted with them for years, something about an instructor telling me that i needed to stay away from them unless i could learn to relax a bit in my painting style. sad to say, but i put them away after that.
as i already had my gouache paint out, i decided to paint the label of a paper bag. it was just a red stamp, kind of calling out to be painted, really. like the outlines in a coloring book. i think i shall paint more things with my brush and my gouache.
5.14.2012
there has to be a movement, and soon
i grow weary of evening television. more and more "feel-good" shows are cancelled out, and what remains are so many shows of violence, spewing with new ideas which are not necessarily good ideas. they've become a type of scrapbook in how to hurt someone; these someones being women most of the time. as if the twisted psyche of the mentally disturbed needed a reference manual of all the different ways to cause pain to the human body and spirit. above all, these shows perpetuate the victimization of women.
what bothers me the most is that by repeatedly showing women as victims of violence we do become numb to it, we almost expect that some form of violence will happen to us; because of course, television has shown us that. it worries me, because when you surrender to that thought, you loose your freedom to be you. you allow the fear of it to warp your life and how you live it.
society should step up, speak out that it is not acceptable to portray extreme violence as "entertainment". shows should focus on reforming what causes men to lash out at women, to how we portray women as sexualized beings alone, they should focus on letting girls and women know that it is never "all right" for another human being to cause them harm, they should push the idea that we are all deserving of the basic human right to live our lives without fear.
and then i saw this and thought, "yeah, i'm not alone in my thoughts."
what bothers me the most is that by repeatedly showing women as victims of violence we do become numb to it, we almost expect that some form of violence will happen to us; because of course, television has shown us that. it worries me, because when you surrender to that thought, you loose your freedom to be you. you allow the fear of it to warp your life and how you live it.
society should step up, speak out that it is not acceptable to portray extreme violence as "entertainment". shows should focus on reforming what causes men to lash out at women, to how we portray women as sexualized beings alone, they should focus on letting girls and women know that it is never "all right" for another human being to cause them harm, they should push the idea that we are all deserving of the basic human right to live our lives without fear.
and then i saw this and thought, "yeah, i'm not alone in my thoughts."
Labels:
change,
entertainment,
heavy deep shit,
inspiration,
tv
as it stands
there's always more to learn. the fiber compendium; for the pursuit of education and knowledge is a work in progress, both the collecting of samples and gaining knowledge of what's out there. as of now here is the list (*=obtained in collection):
bast fibers:
cotton-pima*
cotton-colorgrown peru*
kapok*
milkweed-stem and seed*
coir
flax*
hemp*
ramie*
jute
kenaf*
nettle*
aloo
burmese lotus flower
burmese lotus flower
pineapple*
abaca
henequen
sisal
mulberry*
linden
elm
pine
banana
kudzu*
wisteria
zenmai-fern cotton
protein fibers:
mohair*
cashmere*
pygora*
alpaca-suri*
alpaca-huacaya*
alpaca-paco-vicuna*
vicuna*
llama
guanaco*
bactrian camel*
dromedary camel*
bison*
musk ox-qiviut*
yak*
sheep*
angora-satin*
angora-french*
angora-german*
angora-english*
mink*
new zealand possom*
new zealand red deer
new zealand red deer
byssus-very endangered, no chance of obtaining
tibetan chiru antelope-very endangered, no chance of obtaining
tibetan chiru antelope-very endangered, no chance of obtaining
silk fibers:
mulberry*
eri*
chinese tussah*
oak tussah-himalayan*
oak tussah-american
cricula*
muga*
cecropia*
attacus*
tropical tasar*
mittrei
landibe
tensan
golden orb spider
i shall also work on notes of what makes each fiber interesting, and usable as a spinning fiber, as well as origin. although most of my focus is on the lower micron fibers, the baste fibers used for rope making can't be ignored as many of them can be and were cut thinner for the making of garments. as always, i am constantly amazed by our ancestors skills and abilities.
Labels:
collection,
learning
5.11.2012
miniatures outside the dollhouse
creating small container gardens is quite fun and very rewarding. you can add pizazz with little details and give birth to miniature worlds. in this case, washi tape bunting and twig poles.
i'm trying to use my washi tape more often, now that it's easier to access in its' drawer. it was very quick and painless to make the bunting; a little cutting, pressing, tying, et voila!
Labels:
gardening,
green,
miniatures,
plants,
succulents,
washi tape
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